180,000 Whales

My first real job was with the Virginia Department of Conservation. I ran the Chesapeake Bay Youth Conservation Corps. It was a great job. I got to give away money, which is a good job to have, even though I made very little money myself. I learned a lot in those years about how different people – and groups of people – have an effect upon resources in the public domain.

I grew up around Watermen. They were independent people who almost always worked alone, hard, and for long hours. And except for a few exceptional situations – unusual circumstances outside their control, or some new technology at their disposal that tipped the scales unexpectedly, or a technique that proved more destructive than productive – they rarely had a lasting impact on the fisheries. As independent fishermen, the system was brutally but effectively self-regulating. If there were not enough fish to catch, using only the limited crude methods at their disposal, most of them would lose everything and look for work elsewhere. Only the most determined and those willing to live on the most modest means survived to fish another day.

Nobody got rich fishing anymore. Those days were long gone.

But, like many things, that whole equation changes when corporations take over the business of fishing. With vast capital resources at their disposal, and hard science and technology at their fingertips, the equation gets skewed. It’s like a few men with chain saws and teams of horses logging sustainably for generations, because they can’t do otherwise given their tools, compared to heavy equipment hydraulic tree harvesters and helicopters airlifting clear-cut forests out of the mountains to railroads specifically built for hauling logs. It’s a whole different ballgame.

My great uncle James was a cook on a Menhaden ship in a fleet that operated in the Chesapeake out of Reedville. He made an awesome Waldorf Salad. Once they started using airplanes to spot the scattered shoals of fish from the air, scooping up what was once an entire season’s catch of the diminishing fish in a few sets of the net, the whole situation changed from sustainable harvesting to endgame resource extraction. And he quit.

So this story really interests me. It’s a good story, even if you don’t have that background, because it follows parallels in so many areas; because human beings are remarkably consistent in our behavior. But it really speaks to the challenges facing any attempt to regulate any resource management that assumes self-regulation by the interested parties.

180,000 whales killed in the span of a few years. Not back in they heyday of whaling. No, this was when they were already endangered. Killed off the books, and illegally. By just one country’s fleet of three factory ships.

A good read. And worth keeping in mind whenever we discuss fishing quotas, resource management, and basics of human behavior:

The Most Senseless Environmental Crime of the 20th Century

180,000 whales. Gone in just five years.

Now imagine a coal or oil or gas industry making decisions in any way other than those that increase the short term value for shareholders. Or willingly harvesting less Menhaden, or Cod. It’s their job to obfuscate the facts if those facts are inconvenient, just as it’s the job of a horse trader to hide the real age of his mares. Imagine fur trappers leaving pelts for another day, and trusting each other to do the same. Or African ivory, or rhino tusks.

We cannot assume that they are not lying.

Sound is Time Tangible

Justin Boyd: Sound and Time from Walley Films on Vimeo.

Justin Boyd, Department Chair of Sculpture and Integrated Media at Southwest School of Art, shares his connection with sound and how he uses it to create original works of art. Inspired by his sensitivity to sound at a very young age, Boyd has been recording and working with sound and music since the mid 90s. Boyd actively captures field recordings for integration of sound with found objects. This documentary was produced in association with Southwest School of Art. Learn more about their BFA program at http://www.swschool.org.

 

Sound seems one of the few ways to experience time. A semi-conscious, second tier sense, drifting along the margins – shadow, not light. The soundtrack to our film, as it were.

Like most semi-conscious senses, it’s tapped directly into memory. I remember the squeak and bang of the screen door of my grandmother’s house, always the same one-two rhythm.

I remember the sound of our mothers calling us home for dinner in the evenings, when I and my buddies were out fooling around in the twilight up in the mountains of the Carolinas. It was like a call to prayer at dusk. Each of us was tuned to a different call, but we knew them all.

I remember the metallic chimes of the ice cream truck, three blocks away.

Crows.

Whippoorwills. And Quail.

Fiddle music, long after dark.

 

MASCF 2013 ~ How to Shuck an Oyster

 

Video from the Mid-Atlantic Small Craft Festival
Clips from Friday and Saturday.

Back when the Depression hit (the one in the ’30s) my grandfather, my dad’s dad, hitched a mule and plow to a fence post in a field in Arkansas. He walked into the road, thumbed a ride with a trucker, and left home and never went back. According to his brothers, this made his father – who was known across three counties for epic rages – mad as hell.

Besides lying about his age to get into the army, among other things, he believed he could scrape together a living if he could play music. He taught himself to play fiddle and started a band. They travelled all over the country playing dance halls and pasture parties full of Oakies and other desperate displaced persons. When he noticed saxophone players were getting better-paying gigs, he taught himself sax and learned to swing. There was a faded black and white photo of him on the wall in the house, wearing a suit and a skinny tie on some stage in a barn in the mid-west, a framed playbill next to it.

By the time I was 12, he’d forgotten how to play most of the songs from those years, and most of the guys who knew them had died.That didn’t stop him and some local buddies from trying, though, after a they’d had a few beers. Eventually, there were only about four songs they could play drunk with a fiddle, a guitar, and a gut bucket. Sitting up with them late at night I learned them all.

“Goodnight Irene” was one of them.

 

MASCF 2013 ~ Saturday Morning

 Sea & Sky

 

Photos from Day 2 of the Mid-Atlantic Small Craft Festival
With so many photos I’ll post them in batches over several days, so check back for more.

The geese get started before sunrise. Then laughing gulls. Another calm morning, no wind expected until afternoon, so there was more time to walk the docks and look at boats. A good day for the paddlers.

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Blue Penny

Blue Penny Quarterly ~ Summer 2013

 

Just finished up a big project. A fun one: the latest issue of Blue Penny Quarterly.

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Short Season Opener – Deltaville

Inside

click to open the images, then you can zoom and pan 

Outside

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Seventeen Year Cicadas

 Seventeen Year Cicada, midway through transformation

 

direct Youtube link

A few days ago, the hatch of Magicicada Brood II began here in Virginia. These are the periodic cicadas on a 17 year cycle. It’s pretty amazing how many there are. They’re everywhere.

They’ve only started tuning up on their “singing” – in another week the noise will be deafening. Almost literally. At close range, a cicada can pump out 120 decibals. That’s enough to do permanent damage to your hearing.

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